"In still rest, in changeless simplicity, I bear, uninterrupted, the consciousness of the whole of Humanity within me."
SCHLEIERMACHERS, Monologen.
". . . such a sweetness, such a grace, In all thy speech appear, That what to th'eye a beauteous face, That thy tongue is to the ear."
COWLEY.
The water was deep to the very edge; and I sprang from the little boat upon a soft grassy turf. The island seemed rich with a profusion of all grasses and low flowers. All delicate lowly things were most plentiful; but no trees rose skywards, not even a bush overtopped the tall grasses, except in one place near the cottage I am about to describe, where a few plants of the gum-cistus, which drops every night all the blossoms that the day brings forth, formed a kind of natural arbour. The whole island lay open to the sky and sea. It rose nowhere more than a few feet above the level of the waters, which flowed deep all around its border. Here there seemed to be neither tide nor storm. A sense of persistent calm and fulness arose in the mind at the sight of the slow, pulse-like rise and fall of the deep, clear, unrippled waters against the bank of the island, for shore it could hardly be called, being so much more like the edge of a full, solemn river. As I walked over the grass towards the cottage, which stood at a little distance from the bank, all the flowers of childhood looked at me with perfect child-eyes out of the grass. My heart, softened by the dreams through which it had passed, overflowed in a sad, tender love towards them. They looked to me like children impregnably fortified in a helpless confidence. The sun stood half- way down the western sky, shining very soft and golden; and there grew a second world of shadows amidst the world of grasses and wild flowers.
The cottage was square, with low walls, and a high pyramidal roof thatched with long reeds, of which the withered blossoms hung over all the eaves. It is noticeable that most of the buildings I saw in Fairy Land were cottages. There was no path to a door, nor, indeed, was there any track worn by footsteps in the island.
The cottage rose right out of the smooth turf. It had no windows that I could see; but there was a door in the centre of the side facing me, up to which I went. I knocked, and the sweetest voice I had ever heard said, "Come in." I entered. A bright fire was burning on a hearth in the centre of the earthern floor, and the smoke found its way out at an opening in the centre of the pyramidal roof. Over the fire hung a little pot, and over the pot bent a woman-face, the most wonderful, I thought, that I had ever beheld. For it was older than any countenance I had ever looked upon. There was not a spot in which a wrinkle could lie, where a wrinkle lay not. And the skin was ancient and brown, like old parchment. The woman's form was tall and spare: and when she stood up to welcome me, I saw that she was straight as an arrow. Could that voice of sweetness have issued from those lips of age? Mild as they were, could they be the portals whence flowed such melody? But the moment I saw her eyes, I no longer wondered at her voice: they were absolutely young--those of a woman of five-and- twenty, large, and of a clear gray. Wrinkles had beset them all about; the eyelids themselves were old, and heavy, and worn; but the eyes were very incarnations of soft light. She held out her hand to me, and the voice of sweetness again greeted me, with the single word, "Welcome." She set an old wooden chair for me, near the fire, and went on with her cooking. A wondrous sense of refuge and repose came upon me. I felt like a boy who has got home from school, miles across the hills, through a heavy storm of wind and snow. Almost, as I gazed on her, I sprang from my seat to kiss those old lips. And when, having finished her cooking, she brought some of the dish she had prepared, and set it on a little table by me, covered with a snow- white cloth, I could not help laying my head on her bosom, and bursting into happy tears. She put her arms round me, saying, "Poor child; poor child!"
As I continued to weep, she gently disengaged herself, and, taking a spoon, put some of the food (I did not know what it was) to my lips, entreating me most endearingly to swallow it. To please her, I made an effort, and succeeded. She went on feeding me like a baby, with one arm round me, till I looked up in her face and smiled: then she gave me the spoon and told me to eat, for it would do me good. I obeyed her, and found myself wonderfully refreshed. Then she drew near the fire an old-fashioned couch that was in the cottage, and making me lie down upon it, sat at my feet, and began to sing. Amazing store of old ballads rippled from her lips, over the pebbles of ancient tunes; and the voice that sang was sweet as the voice of a tuneful maiden that singeth ever from very fulness of song. The songs were almost all sad, but with a sound of comfort. One I can faintly recall. It was something like this:
Sir Aglovaile through the churchyard rode;
SING, ALL ALONE I LIE:
Little recked he where'er he yode, ALL ALONE, UP IN THE SKY.
Swerved his courser, and plunged with fear ALL ALONE I LIE:
His cry might have wakened the dead men near, ALL ALONE, UP IN THE SKY.
The very dead that lay at his feet, Lapt in the mouldy winding-sheet.
But he curbed him and spurred him, until he stood Still in his place, like a horse of wood, With nostrils uplift, and eyes wide and wan;
But the sweat in streams from his fetlocks ran.
A ghost grew out of the shadowy air, And sat in the midst of her moony hair.
In her gleamy hair she sat and wept;
In the dreamful moon they lay and slept;
The shadows above, and the bodies below, Lay and slept in the moonbeams slow.
And she sang, like the moan of an autumn wind Over the stubble left behind:
Alas, how easily things go wrong ! A sigh too much, or a kiss too long, And there follows a mist and a weeping rain, And life is never the same again.
Alas, how hardly things go right!
'Tis hard to watch on a summer night, For the sigh will come and the kiss will stay, And the summer night is a winter day.