A darkened and hushed room; the river outside the windows flowing on to the vast ocean; a figure on the bed, swathed and bandaged and bound, lying helpless on its back, with its two useless arms in splints at its sides. Only two days of usage so familiarized the little dressmaker with this scene, that it held the place occupied two days ago by the recollections of years.
He had scarcely moved since her arrival. Sometimes his eyes were open, sometimes closed. When they were open, there was no meaning in their unwinking stare at one spot straight before them, unless for a moment the brow knitted into a faint expression of anger, or surprise. Then, Mortimer Lightwood would speak to him, and on occasions he would be so far roused as to make an attempt to pronounce his friend's name. But, in an instant consciousness was gone again, and no spirit of Eugene was in Eugene's crushed outer form.
They provided Jenny with materials for plying her work, and she had a little table placed at the foot of his bed. Sitting there, with her rich shower of hair falling over the chair-back, they hoped she might attract his notice. With the same object, she would sing, just above her breath, when he opened his eyes, or she saw his brow knit into that faint expression, so evanescent that it was like a shape made in water. But as yet he had not heeded. The 'they' here mentioned were the medical attendant; Lizzie, who was there in all her intervals of rest; and Lightwood, who never left him.
The two days became three, and the three days became four. At length, quite unexpectedly, he said something in a whisper.
'What was it, my dear Eugene?'
'Will you, Mortimer--'
'Will I--?
--'Send for her?'
'My dear fellow, she is here.'
Quite unconscious of the long blank, he supposed that they were still speaking together.
The little dressmaker stood up at the foot of the bed, humming her song, and nodded to him brightly. 'I can't shake hands, Jenny,' said Eugene, with something of his old look; 'but I am very glad to see you.'
Mortimer repeated this to her, for it could only be made out by bending over him and closely watching his attempts to say it. In a little while, he added:
'Ask her if she has seen the children.'
Mortimer could not understand this, neither could Jenny herself, until he added:
'Ask her if she has smelt the flowers.'
'Oh! I know!' cried Jenny. 'I understand him now!' Then, Lightwood yielded his place to her quick approach, and she said, bending over the bed, with that better look: 'You mean my long bright slanting rows of children, who used to bring me ease and rest? You mean the children who used to take me up, and make me light?'
Eugene smiled, 'Yes.'
'I have not seen them since I saw you. I never see them now, but Iam hardly ever in pain now.'
'It was a pretty fancy,' said Eugene.
'But I have heard my birds sing,' cried the little creature, 'and Ihave smelt my flowers. Yes, indeed I have! And both were most beautiful and most Divine!'
'Stay and help to nurse me,' said Eugene, quietly. 'I should like you to have the fancy here, before I die.'
She touched his lips with her hand, and shaded her eyes with that same hand as she went back to her work and her little low song.
He heard the song with evident pleasure, until she allowed it gradually to sink away into silence.
'Mortimer.'
'My dear Eugene.'
'If you can give me anything to keep me here for only a few minutes--'
To keep you here, Eugene?'
'To prevent my wandering away I don't know where--for I begin to be sensible that I have just come back, and that I shall lose myself again--do so, dear boy!'
Mortimer gave him such stimulants as could be given him with safety (they were always at hand, ready), and bending over him once more, was about to caution him, when he said:
'Don't tell me not to speak, for I must speak. If you knew the harassing anxiety that gnaws and wears me when I am wandering in those places--where are those endless places, Mortimer? They must be at an immense distance!'
He saw in his friend's face that he was losing himself; for he added after a moment: 'Don't be afraid--I am not gone yet. What was it?'
'You wanted to tell me something, Eugene. My poor dear fellow, you wanted to say something to your old friend--to the friend who has always loved you, admired you, imitated you, founded himself upon you, been nothing without you, and who, God knows, would be here in your place if he could!'
'Tut, tut!' said Eugene with a tender glance as the other put his hand before his face. 'I am not worth it. I acknowledge that I like it, dear boy, but I am not worth it. This attack, my dear Mortimer;this murder--'
His friend leaned over him with renewed attention, saying: 'You and I suspect some one.'
'More than suspect. But, Mortimer, while I lie here, and when I lie here no longer, I trust to you that the perpetrator is never brought to justice.'
'Eugene?'
'Her innocent reputation would be ruined, my friend. She would be punished, not he. I have wronged her enough in fact; I have wronged her still more in intention. You recollect what pavement is said to be made of good intentions. It is made of bad intentions too. Mortimer, I am lying on it, and I know!'
'Be comforted, my dear Eugene.'
'I will, when you have promised me. Dear Mortimer, the man must never be pursued. If he should be accused, you must keep him silent and save him. Don't think of avenging me; think only of hushing the story and protecting her. You can confuse the case, and turn aside the circumstances. Listen to what I say to you. It was not the schoolmaster, Bradley Headstone. Do you hear me?
Twice; it was not the schoolmaster, Bradley Headstone. Do you hear me? Three times; it was not the schoolmaster, Bradley Headstone.'
He stopped, exhausted. His speech had been whispered, broken, and indistinct; but by a great effort he had made it plain enough to be unmistakeable.
'Dear fellow, I am wandering away. Stay me for another moment, if you can.'
Lightwood lifted his head at the neck, and put a wine-glass to his lips. He rallied.