`Oh, I hope not!' cried Miss Snevellicci. `You surely are not so cruel--oh, dear me!--Well, I--to think of that now, after all one's looking forward to it!'
`Mr Johnson will not persist, my dear,' said Mrs Crummles. `Think better of him than to suppose it. Gallantry, humanity, all the best feelings of his nature, must be enlisted in this interesting cause.'
`Which moves even a manager,' said Mr Crummles, smiling.
`And a manager's wife,' added Mrs Crummles, in her accustomed tragedy tones. `Come, come, you will relent, I know you will.'
`It is not in my nature,' said Nicholas, moved by these appeals, `to resist any entreaty, unless it is to do something positively wrong; and, beyond a feeling of pride, I know nothing which should prevent my doing this. I know nobody here, and nobody knows me. So be it then. I yield.'
Miss Snevellicci was at once overwhelmed with blushes and expressions of gratitude, of which latter commodity neither Mr nor Mrs Crummles was by any means sparing. It was arranged that Nicholas should call upon her, at her lodgings, at eleven next morning, and soon after they parted: he to return home to his authorship: Miss Snevellicci to dress for the after-piece:
and the disinterested manager and his wife to discuss the probable gains of the forthcoming bespeak, of which they were to have two-thirds of the profits by solemn treaty of agreement.
At the stipulated hour next morning, Nicholas repaired to the lodgings of Miss Snevellicci, which were in a place called Lombard Street, at the house of a tailor. A strong smell of ironing pervaded the little passage;and the tailor's daughter, who opened the door, appeared in that flutter of spirits which is so often attendant upon the periodical getting up of a family's linen.
`Miss Snevellicci lives here, I believe?' said Nicholas, when the door was opened.
The tailor's daughter replied in the affirmative.
`Will you have the goodness to let her know that Mr Johnson is here?'
said Nicholas.
`Oh, if you please, you're to come upstairs,' replied the tailor's daughter, with a smile.
Nicholas followed the young lady, and was shown into a small apartment on the first floor, communicating with a back-room; in which, as he judged from a certain half-subdued clinking sound, as of cups and saucers, Miss Snevellicci was then taking her breakfast in bed.
`You're to wait, if you please,' said the tailor's daughter, after a short period of absence, during which the clinking in the back-room had ceased, and been succeeded by whispering--`She won't be long.'
As she spoke, she pulled up the window-blind, and having by this means (as she thought) diverted Mr Johnson's attention from the room to the street, caught up some articles which were airing on the fender, and had very much the appearance of stockings, and darted off.
As there were not many objects of interest outside the window, Nicholas looked about the room with more curiosity than he might otherwise have bestowed upon it. On the sofa lay an old guitar, several thumbed pieces of music, and a scattered litter of curl-papers: together with a confused heap of play-bills, and a pair of soiled white satin shoes with large blue rosettes. Hanging over the back of a chair was a half-finished muslin apron with little pockets ornamented with red ribbons, such as waiting-women wear on the stage, and (by consequence) are never seen with anywhere else.
In one corner stood the diminutive pair of top-boots in which Miss Snevellicci was accustomed to enact the little jockey, and, folded on a chair hard by, was a small parcel, which bore a very suspicious resemblance to the companion smalls.
But the most interesting object of all was, perhaps, the open scrapbook, displayed in the midst of some theatrical duodecimos that were strewn upon the table; and pasted into which scrapbook were various critical notices of Miss Snevellicci's acting, extracted from different provincial journals, together with one poetic address in her honour, commencing-- Sing, God of Love, and tell me in what dearth Thrice-gifted S NEVELLICCI came on earth, To thrill us with her smile, her tear, her eye, Sing, God of Love, and tell me quickly why.
Besides this effusion, there were innumerable complimentary allusions, also extracted from newspapers, such as--`We observe from an advertisement in another part of our paper of today, that the charming and highly-talented Miss Snevellicci takes her benefit on Wednesday, for which occasion she has put forth a bill of fare that might kindle exhilaration in the breast of a misanthrope. In the confidence that our fellow-townsmen have not lost that high appreciation of public utility and private worth, for which they have long been so pre-eminently distinguished, we predict that this charming actress will be greeted with a bumper.' `To Correspondents.--J.S. is misinformed when he supposes that the highly-gifted and beautiful Miss Snevellicci, nightly captivating all hearts at our pretty and commodious little theatre, is not the same lady to whom the young gentleman of immense fortune, residing within a hundred miles of the good city of York, lately made honourable proposals. We have reason to know that Miss Snevellicci is the lady who was implicated in that mysterious and romantic affair, and whose conduct on that occasion did no less honour to her head and heart, than do her histrionic triumphs to her brilliant genius.' A copious assortment of such paragraphs as these, with long bills of benefits all ending with COMEEARLY , in large capitals, formed the principal contents of Miss Snevellicci's scrapbook.