Here and there, dotted about among distinctly English types of beauty, one or two foreign faces stood out in marked contrast: the haughty aristocratic cast of countenance of the many French royalist EMIGRES who, persecuted by the relentless, revolutionary faction of their country, had found a peaceful refuge in England. On these faces sorrow and care were deeply writ; the women especially paid but little heed, either to the music or to the brilliant audience; no doubt their thoughts were far away with husband, brother, son maybe, still in peril, or lately succumbed to a cruel fate.
