It was one of the gala nights at Covent Garden Theatre, the first of the autumn season in this memorable year of grace 1792.
The house was packed, both in the smart orchestra boxes and in the pit, as well as in the more plebeian balconies and galleries above. Gluck's ORPHEUS made a strong appeal to the more intellectual portions of the house, whilst the fashionable women, the gaily-dressed and brilliant throng, spoke to the eye of those who cared but little for this "latest importation from Germany."Selina Storace had been duly applauded after her grand ARIAby her numerous admirers; Benjamin Incledon, the acknowledged favourite of the ladies, had received special gracious recognition from the royal box; and now the curtain came down after the glorious finale to the second act, and the audience, which had hung spell-bound on the magic strains of the great maestro, seemed collectively to breathe a long sigh of satisfaction, previous to letting loose its hundreds of waggish and frivolous tongues.