One of his innumerable whims was an extreme unwillingness to be considered a man of letters. Not that he was indifferent to literary fame. Far from it. Scarcely any writer has ever troubled himself so much about the appearance which his works were to make before posterity. But he had set his heart on incompatible objects. He wished to be a celebrated author, and yet to be a mere idle gentleman, one of those Epicurean gods of the earth who do nothing at all, and who pass their existence in the contemplation of their own perfections. He did not like to have anything in common with the wretches who lodged in the little courts behind St. Martin's Church, and stole out on Sundays to dine with their bookseller. He avoided the society of authors. He spoke with lordly contempt of the most distinguished among them.
He tried to find out some way of writing books, as M. Jourdain's father sold cloth, without derogating from his character of Gentilhomme. "Lui, marchand? C'est pure medisance: il ne l'a jamais ete. Tout ce qu'il faisait, c'est qu'il etait fort obligeant, fort officieux; et comme il se connaissait fort bien en etoffes, il en allait choisir de tons les cotes, les faisait apporter chez lui, et en donnait a ses amis pour de l'argent."
There are several amusing instances of Walpole's feeling on this subject in the letters now before us. Mann had complimented him on the learning which appeared in the Catalogue of Royal and Noble Authors; and it is curious to see how impatiently Walpole bore the imputation of having attended to anything so unfashionable as the improvement of his mind. "I know nothing.
How should I? I who have always lived in the big busy world; who lie a-bed all the morning, calling it morning as long as you please; who sup in company; who have played at faro half my life, and now at loo till two and three in the morning; who have always loved pleasure; haunted auctions. . . . How I have laughed when some of the Magazines have called me the learned gentleman. Pray don't be like the Magazines." This folly might be pardoned in a boy. But a man between forty and fifty years old, as Walpole then was, ought to be quite as much ashamed of playing at loo till three every morning as of being that vulgar thing, a learned gentleman.
The literary character has undoubtedly its full share of faults, and of very serious and offensive faults. If Walpole had avoided those faults, we could have pardoned the fastidiousness with which he declined all fellowship with men of learning. But from those faults Walpole was not one jot more free than the garreteers from whose contact he shrank. Of literary meannesses and literary vices, his life and his works contain as many instances as the life and the works of any member of Johnson's club. The fact is, that Walpole had the faults of Grub Street, with a large addition from St. James's Street, the vanity, the jealousy, and the irritability of a man of letters, the affected superciliousness and apathy of a man of ton.
His judgment of literature, of contemporary literature especially, was altogether perverted by his aristocratical feelings. No writer surely was ever guilty of so much false and absurd criticism. He almost invariably speaks with contempt of those books which are now universally allowed to be the best that appeared in his time; and, on the other hand, he speaks of writers of rank and fashion as if they were entitled to the same precedence in literature which would have been allowed to them in a drawing-room. In these letters, for example, he says that he would rather have written the most absurd lines in Lee than Thomson's Seasons. The periodical paper called The World, on the other hand, was by "our first writers." Who, then, were the first writers of England in the year 1750? Walpole has told us in a note. Our readers will probably guess that Hume, Fielding, Smollett, Richardson, Johnson, Warburton, Collins, Akenside, Gray, Dyer, Young, Warton, Mason, or some of those distinguished men, were in the list. Not one of them. Our first writers, it seems, were Lord Chesterfield, Lord Bath, Mr. W. Whithed, Sir Charles Williams, Mr. Soame Jenyns, Mr. Cambridge, Mr. Coventry.
Of these seven personages, Whithed was the lowest in station, but was the most accomplished tuft-hunter of his time. Coventry was of a noble family. The other five had among them two seats in the House of Lords, two seats in the House of Commons, three seats in the Privy Council, a baronetcy, a blue riband, a red riband, about a hundred thousand pounds a year, and not ten pages that are worth reading. The writings of Whithed, Cambridge, Coventry, and Lord Bath are forgotten. Soame Jenyns is remembered chiefly by Johnson's review of the foolish Essay on the Origin of Evil.
Lord Chesterfield stands much lower in the estimation of posterity than he would have done if his letters had never been published. The lampoons of Sir Charles Williams are now read only by the curious, and, though not without occasional flashes of wit, have always seemed to us, we must own, very poor performances.
Walpole judged of French literature after the same fashion. He understood and loved the French language. Indeed, he loved it too well. His style is more deeply tainted with Gallicism than that of any other English writer with whom we are acquainted. His composition often reads, for a page together, like a rude translation from the French. We meet every minute with such sentences as these, "One knows what temperaments Annibal Caracci painted." "The impertinent personage!" "She is dead rich." "Lord Dalkeith is dead of the small-pox in three days." "It will now be seen whether he or they are most patriot."