书城艺术分析传统下的电影研究:叙事、虚构与认知
13847900000052

第52章 参考文献(2)

——(1988,b)Philosophical Problems of Classical Film Theory,Princeton,New Jersey:Princeton University Press.

——(1987)“The Nature of Horror”,The Journal of Aesthetics and Art Criticism,vol.46,1.

Cavazza,Marc(2003)(&Charles,Fred&Mead,Steven J.)“Generation of Humorous Situations in Cartoons through Plan-based Formalizations”,The CHI 2003 Conference on Human Factors in Computing Systems,Fort Lauderdale,Florida.http://www-scm.tees.ac.uk/users/f.charles/publications/conferences/2003/CHI2003_Cavazza.pdf.

——(2002)(&Charles,Fred&Mead,Steven J.)“Character-Based Interactive Storytelling”,IEEE Intelligent Systems,vol.17,4,pp.17-24.http://www-scm.tees.ac.uk/users/f.charles/publications/journals/2002/ieeeis2002.pdf.

Currie,Gregory(2007)“Both Sides of the Story:Explaining Events in a Narrative”,Philosophical Studies,vol.135,1,8.

——(1999)“Cognitivism”,Miller,Toby&Stam,Robert(eds.),A Companion to Film Theory,Oxford:Blackwell Publishing.

——(1991)“Photography,Painting and Perception”,The Journal of Aesthetics and Art Criticism,vol.49,1.

——(1990)The Nature of Fiction,Cambridge:Cambridge University Press.

——(1989)An Ontology of Art,New York:St.Martin's Press.

Danto,Authur(2005)“Moving Pictures”,Young,James O.(ed.),Aesthetics:Critical Concepts in Philosophy,vol.IV,London:Routledge Press.

——(2001)“The Pigeon within Us All:A Reply to Three Critics”,The Journal of Aesthetics and Art Criticism,vol.59,1.

——(1985)Narration and Knowledge,New York:Columbia University Press.

Dickie,George(1993)“The Myth of the Aesthetic Attitude”,Bender,John W.&Blocker,Gene H.(eds.),Contemporary Philosophy of Art:Readings in Analytic Aesthetics,New York:Prentice Hall.

——(1965)“Beardsley"s Phantom Aesthetic Experience”,Journal of Philosophy,vol.62.

——(1962)“Is Psychology Relevant to Aesthetics?”,The Philosophical Review,vol.70.

Fodor,Jerry(2003)“Meaning and the World Order”,Connor,Timothy&Robb,David(eds.),Philosophy of Mind:Contemporary Readings,New York:Routledge Press.

——(1990)A Theory of Content and Other Essays,Cambridge,MA:MIT Press.

Gaut,Berys(2006)“Art and Cognition”,Kieran,Matthew(ed.),Contemporary Debates in Aesthetics and the Philosophy of Art,Oxford:Blackwell Publishing.

——(2004)“Philosophy of the Movies:Cinematic Narration”,Kivy,Peter(ed.),Blackwell Guide to Aesthetics,Oxford:Blackwell Publishing.

——(2003)“Film”,Levinson,Jerrold(ed.),The Oxford Handbook of Aesthetics,Oxford:Oxford University Press.

Goodman,Nelson(1978)“Reply to Beardsley”,Erkenntnis,vol.12.

——(1981)Language of Art:an Approach to the Theory of Symbols,Indianapolis:Hacket.

Lewis,David(1978)“Truth in Fiction”,American Philosophical Quarterly,vol.15,1.

——(1986)“Causal Explanation”,Philosophical Papers,vol.II.,Oxford:Oxford University Press.

Searle,John(2004)“The Logical Status of Fictional Discourse”,Lamarque,Peter&Olsen,Stein Haugom(eds.),Aesthetics and the Philosophy of Art:The Analytic Tradition,Oxford:Blackwell Publishing.

——(1983)Intentionality:An Essay in the Philosophy of Mind,Cambridge:Cambridge University Press.

Walton,Kendall(2006)“On the(So-Called)Puzzle of Imaginative Resistance”,Nichols,Shaun(ed.),The Architecture of Imagination,Oxford:Oxford University Press.

——(2005)“Fiction,Fiction-making,and Styles of Fictionality”,Young,James O.(ed.),Aesthetics:Critical Concepts in Philosophy,Vol.II,London:Routledge Press.

——(2004)“Are Representations Symbols?”,Lamarque,Peter&Olsen,Stein Haugom(eds.),Aesthetics and the Philosophy of Art:The Analytic Tradition,Oxford:Blackwell Publishing.

——(2002)“Depiction,Perception,and Imagination:Responses to Richard Wollheim”,The Journal of Aesthetics and Art Criticism,vol.60,1.

——(1997)“On Pictures and Photographs:Objections Answered”,Allen,Richard&Smith,Murray(eds.),Film Theory and Philosophy,Oxford:Clarendon Press.

——(1995)Mimesis as Make-Believe,Cambridge,Mass:Harvard University Press.

——(1994)“Morals in Fiction and Fictional Morality”,A.Neill&A.Ridley(eds.),Arguing About Art,Contemporary Philosophical Debates,London and New York:Routledge Press(2002).

——(1986)“Looking Again through Photographs:A Response to Edwin Martin”,Critical Inquiry,vol.12,4.

——(1984)“Transparent Pictures:On the Nature of Photographic Realism”,Critical Inquiry,vol.11.

——(1978)“Fearing Fictions”,The Journal of Philosophy,vol.75,1.

Wollheim,Richard(2005)“Seeing-as,Seeing-in,and Pictorial representation”,Young,James O.(ed.),Aesthetics:Critical Concepts in Philosophy,vol.IV,London:Routledge Press.

——(2004)“On Pictorial Representation”,Lamarque,Peter&Olsen,Stein Haugom(eds.),Aesthetics and the Philosophy of Art:The Analytic Tradition,Oxford:Blackwell Publishing.

——(1987)Painting As an Art,New Jersey:Princeton University Press.

Yablo,Stephen(2002)“Coulda,Woulda,Shoulda”,Gendler,Tarmar S.&Hawthorne,John(eds.),Conceivability and Possibility,Oxford:Oxford University Press.

Young,R.Michael(2006)(&Yun Gyung Cheong)“A Computational Model of Narrative Generation for Suspense”,the AAAI 2006 Computational Aesthetic Workshop,Boston,MA,USA,http://liquidnarrative.csc.ncsu.edu/pubs/aaaiws06.pdf.